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The captivating music of Grieg’s “Butterfly” floated through the room and Moses watched the white supple fingers of the player with breathless eagerness.,
“Yes, I s’pose we can listen to you scramble up and down the piano keys all night, but if I do anything it’s another story.”,
Jimmy’s face lost its scorn. Someway the sting of his sarcasm never seemed to touch Billy, who could always strike back a surer if less venomous blow. Perhaps that was the very reason why Jimmy, though larger and older, sought Billy and heeded him as he did no other save his own stern father.,
It quickly occurred to him to run around and climb up there by the coop. Perhaps he could see into the windows—perhaps see— He didn’t wait to finish his thought, but scrambled frantically up the steep and came around to the top of the wall. The window opposite and level with him was bare but not as dirty as the others; and against it he saw a bed-post. Anyway that room was used by some one besides ghosts, he thought; and wondered what to do next. Just then Bouncer sprang up and gave a single short bark, his bark of greeting.
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“She’ll be all right. May Nell and me—I—we took our lunch and went over to Potter’s pasture. Shoot! She’s waiting now! I hope the poor little kiddie—little girl—eats, don’t wait for me,—she an’ Bouncer.”,
“That boy’ll sartinly spill the tea,” prophecied Mrs. Wopp, with laughing pessimism.,
He sprang up, caught her hand, and raced with her down the rocky steep, calling wildly to the men in the wagon as he ran. Bouncer, no longer watched, vented his pent-up excitement in noisy yelps; and above the din Billy heard loud angry words in a foreign tongue that he knew were execrations, commands to return.,
This conversation took place in Billy’s shop, a room adjoining the wood-house and given over to his use. Nothing short of the world in the second verse of Genesis was equal to the chaos of that place. Every conceivable scrap and job lot of “truck” was there in a jumbled heap; and Billy was never happier than when mussing it over in search of “material”; in greasy overalls and crownless hat, whistling merrily, bringing forth to substance and form the inventions of his busy brain.
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Developer Response,
Howard led Nell through the intricacies of a square dance.
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0luiq-Wong,
It’s a Quan-Yuan
“Will you please play it fer us then, it is so touchin’. You will find the music on the organ.”
l4il2-Xu,
Bingbing-Li
“You can send some one after us, a man—not you, not either of you,” he called back over his shoulder, and was soon out of sight.
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Halin-Chen Response,
>Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother.
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