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Geoffrey coming to the farm somewhat early in the evening, Mona takes him round to the yard, where two dogs, hitherto unseen by Geoffrey, lie chained. They are two splendid bloodhounds, that, as she approaches, rise to their feet, and, lifting their massive heads, throw out into the night-air a deep hollow bay that bespeaks welcome.,

"If I should die," he said, "and you are near, do not desert me. Go to the place where I fell, and if my body should have been destroyed look carefully around the place. If you can find even a shred of my flesh or a bit of my bone, it will be well. So said my dream. Here are four arrows, which the dream told me to make. If you can find a bit of my body, flesh or bone, or even hair, cover it with a robe, and standing over it, shoot three arrows one after another up into the air, crying, as each one leaves the bow, 'Look out!' When you fit the fourth arrow on the bowstring and shoot it upward, cry, 'Look out, Red Robe, the arrow will strike you!' and as you say this, turn and run away from the place, not looking back as you go. If you do this, my friend, just as I have told you, I shall live again.",

She beckons to them, and, rising slowly, they advance towards Rodney, who involuntarily moves back a little. And in truth they are formidable foes, with their bloodshot eyes, and bristling coats, and huge jaws that, being now parted, show the gleaming teeth within.,

When she has finished, Geoffrey says "thank you" in a low tone. He is thinking of the last time when some one else sang to him, and of how different the whole scene was from this. It was at the Towers, and the hour with its dying daylight, rises before him. The subdued light of the summer eve, the open window, the perfume of the drowsy flowers, the girl at the piano with her small drooping head and her perfectly trained and very pretty voice, the room, the soft silence, his mother leaning back in her crimson velvet chair, beating time to the music with her long jewelled, fingers,—all is remembered.

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The Australian seems particularly struck with this fact. He stares in a thoughtful fashion at the wall with the small panels, seeming blind to the other beauties of the room.,

"You?" says Mona, with extreme hauteur and an unpleasant amount of well-feigned astonishment. She does not deign to go to meet him, or even turn her head altogether in his direction, but just throws a swift and studiously unfriendly glance at him from under her long lashes.,

The stranger is advancing slowly: he is swarthy, and certainly not prepossessing. His hair is of that shade and texture that suggests unpleasantly the negro. His lips are a trifle thick, his eyes like sloes. There is, too, an expression of low cunning in these latter features that breeds disgust in the beholder.,

"Well, but it was a little hard on your father, wasn't it?" says Mona, gently.