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"What!" says Mona And then she grows quite pale, and, slipping off the stile, stands a few yards away from him. She is clad in a snowy gown of simple cotton, that sits loosely to her lissom figure yet fails to disguise the beauty of it. A white kerchief lies softly on her neck. She has pulled up her sleeves, so that her arms are bare,—her round, soft, naked arms that in themselves are a perfect picture. She is standing with her head well thrown back, and her hands—full of corn—lifted high in the air, as she cries aloud, "Cooee! Cooee!" in a clear musical voice. "Down below in the hollow, miss,—jist behind the hawthorn-bush. Go home some other way, Miss Mona: they're bint on blood.".
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"Yes, very beautiful," he answers, thinking of the stately oaks and aged elms and branching beeches that go so far to make up the glory of the ivied Towers. Then spoke the Bear, saying, "There are many animals and some of them are powerful; but the bear is the strongest and greatest of all. He fears nothing and is always ready to fight." "I hardly like to ask her to do it," says the young man, divided between an overpowering desire to be made "comfortable," as she has expressed it, and a chivalrous fear that the sight of the nasty though harmless flesh-wound will cause her some distress. "Perhaps it will make you unhappy,—may shock you," he says to her, with some anxiety. "Nicholas, what is the meaning of this?" says Geoffrey, a few moments later, coming up with a darkening brow to where Nicholas is leaning against a wall. "What has possessed Mona to give that fellow a dance? She must be mad, or ignorant, or forgetful of everything. She was with you: why did you not prevent it?".
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