There are many persons who differ in their account of this part of the story, and who pretend that Little Thumbling never stole the ogre's money, and that he really only took the seven-league boots, as he felt no scruple in doing this, seeing that the ogre used them expressly for running after little children. These people assert that they have heard it from good authority, and that they have eaten and drunk in the woodcutter's house. They assure us that when Little Thumbling had put on the ogre's boots, he went to Court, where he knew they were in much trouble about an army which was within two hundred leagues of them, and were anxious to hear the result of a battle that had been fought. They say he went to find the King, and told him that, if he wished it, he would bring him back news of the army before the end of the day. The King promised him a large sum of money if he did so.,
He next passed through a large courtyard paved with marble, ascended the staircase, and entered the guard-room, where the guards stood, drawn up in line, their carbines shouldered, and snoring their loudest. He traversed several rooms with ladies and gentlemen all asleep, some standing, others seated. At last he came to one covered with gold, and there on a bed, the curtains of which were open on either side, he saw the most lovely sight he had ever looked upon—a Princess, who appeared to be about fifteen or sixteen, and whose dazzling beauty shone with a radiance which scarcely seemed to belong to this world. He approached, trembling and admiring, and knelt down beside her.,
Thus lovely, and thus veiled in obscurity, were the daughters of the noble Mazzini. But they were happy, for they knew not enough of the world seriously to regret the want of its enjoyments, though Julia would sometimes sigh for the airy image which her fancies painted, and a painful curiosity would arise concerning the busy scenes from which she was excluded. A return to her customary amusements, however, would chase the ideal image from her mind, and restore her usual happy complacency. Books, music, and painting, divided the hours of her leisure, and many beautiful summer-evenings were spent in the pavilion, where the refined conversation of madame, the poetry of Tasso, the lute of Julia, and the friendship of Emilia, combined to form a species of happiness, such as elevated and highly susceptible minds are alone capable of receiving or communicating. Madame understood and practised all the graces of conversation, and her young pupils perceived its value, and caught the spirit of its character..
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