She turned down the Embankment after leaving the house. She always found the river strong and restful. So it was not only bad women that needed to be afraid of themselves—even to the most high-class young woman, with letters after her name, and altruistic interests: even to her, also, the longing for the lover’s clasp. Flossie had been right. Mother Nature was not to be flouted of her children—not even of her new daughters; to them, likewise, the family trait. “It is not only courage,” he said, “that War brings out. It brings out vile things too. Oh, I’m not thinking merely of the Boches. That’s the cant of every nation: that all the heroism is on one side and all the brutality on the other. Take men from anywhere and some of them will be devils. War gives them their opportunity, brings out the beast. Can you wonder at it? You teach a man to plunge a bayonet into the writhing flesh of a fellow human being, and twist it round and round and jamb it further in, while the blood is spurting from him like a fountain. What are you making of him but a beast? A man’s got to be a beast before he can bring himself to do it. I have seen things done by our own men in cold blood, the horror of which will haunt my memory until I die. But of course, we hush it up when it happens to be our own people.”!

Joan told her plans. “You’ll be able to get along without me for a little while?” she asked doubtfully. “So this is our new recruit,” she said. “She is come to bring healing to the sad, sick world—to right all the old, old wrongs.”

Niel Singleton, or Keeley, as he called himself upon the stage, was quite unlike his sister. He was short and plump, with a preternaturally solemn face, contradicted by small twinkling eyes. He motioned Joan to a chair and told her to keep quiet and not disturb the meeting. The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another. “Yes,” answered the girl. “The voice of weakness.”