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"She's the girl my mother wanted me to marry, you know," goes on Rodney, unobservant, as men always are, of the small signals of distress hung out by his companion. Rodney, with the boy at his side, is covering ground in a state of blissful uncertainty. He may be a mile from home, or ten miles, for all he knows, and the boy seems none the wiser. It is a very curious little room they enter,—yet pretty, withal, and suggestive of care and affection, and certainly not one to be laughed at. Each object that meets the view seems replete with pleasurable memory,—seems part of its gentle mistress. There are two windows, small, and with diamond panes like the parlor, and in the far end is a piano. There are books, and some ornaments, and a huge bowl of sweetly-smelling flowers on the centre-table, and a bracket or two against the walls. Some loose music is lying on a chair..
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Conrad
A sob escapes her, and falls heavily on Geoffrey's heart. He is not proof against a woman's tears,—as no true man ever is,—especially her tears, and so he gives in at once. "Where are you going?" asks Rodney, afraid lest his last speech has offended her. She has her hat on,—a big Gainsborough hat, round which soft Indian muslin is clinging, and in which she looks nothing less than adorable. "You can see it now if you wish," says Mona, quickly, the thought that she may be able to entertain him in some fashion that will not require conversation is dear to her. She therefore takes his arm, and leads him out of the ballroom, and across the halls into the library, which is brilliantly lighted, but just at this moment empty. Of Christian charity.
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