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The operetta opened with a weird winter scene, when the Sower (Harold) sowed his grain, and the gnomes and elves set upon him; and evoked Storm King (Jimmy), Wind (Bess), and Frost (Jackson). He was the comedy of the little drama; and dressed all in black, covered with silver spangles and diamond dust, he made a joke that the wine-growers appreciated, for it is the black frosts of April they fear. Bess arrived at last. A gorgeous affair was her chariot, the foundation being Mr. Prettyman’s spring wagon. Bess, with some borrowings, Charley’s help, and her own quick invention, had made a very good imitation of a circus wagon. Charley, the Strong Man, held the reins over old Dom Pedro, the horse she loved, that had once been a racer. She had discovered some very real looking, jointed snakes that wriggled and curved in a manner startlingly serpentine; while tremendous boa constrictors, cut from old circus posters, were disposed about the cage in alarmingly lifelike positions. “I always knew that house had something to do with me,” Billy declared to Mr. Smith. “The kids call it a wicked house, but it’s only the people living in it that’s wicked. It’s a splendid old place; and when I’m a man and have money enough, I’m going to buy it and fix it up fine, and give it a fair chance.” In a cage of wire netting bearing the legend, “The Roc—The Egg,” the uncomfortable gander swayed and craned his neck; and all but his voice was satisfactory. In the bottom of the cage a whitewashed stone the size of a small pumpkin did duty as the egg..