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"What do you see? The French Flotilla?" cried Miss Acton in a voice tremulous with agitation. She darted her eyes through her glasses over the sea.,

"No sir," his neighbor answered promptly, "I should say not.",

"Good-bye, Sir William," said Lucy, and in silence the two gentlemen watched her walk to the gate and pass out.,

They gently rolled the dead, or dying, man on to his back, and the nature of his injury appeared. He was clothed in white trousers, a light blue coat, and a shirt the front of which was ornamented by some light tracing like flowers. He was without a cravat, and his head was uncovered. The left side of his shirt was soaked in blood, and the singed hole through which the bullet had passed from the weapon whose muzzle he had pressed to his breast, was visible in the thick of the dark crimson dye. His face was marble-white. It wore an expression of torture. His lips were parted and grey. The eyelids were half-closed, and the whites of the eye only were visible.

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"I know the Aurora, sir. No highwayman could know his blood-mare which has galloped him again and again clear of the noose of the gibbet better than I know your Baltimore clipper. She'll look up to windward, or hold her course when the Minorca is falling points off. She was built to sail, madam, and she do sail. There is nothing in the King's service with her legs. I allow she was born to be a slaver.",

"Did she look at you when you entered?",

This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation.,

Stanhope felt the unconscious tightening of her fingers and spoke her name ever so softly. She gave a little, contented sigh, and nestled her cool cheek against his own.