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“Our house isn’t big enough.” Whose feet never tire, “What yer whistlin’ so mournful like?” queried his mother, “makes me think of funerals an’ sich like; jist come in an’ help yer par with the stove-pipes, mebbe that’ll cheer you up.”.

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“Do you like it, Sunday School, I mean? I don’t. I like church, though,—the great booming organ, the beautiful singing. And when the minister speaks I just float away into fairy-land and never come back till he says, ‘The-Lord-make-his-face-to-shine-upon-us-amen.’” Edith in white, half smothered in blush roses, with the fairies and their Queen, stood ready in the wings. Billy was also waiting his cue. This time he was to be pulled swiftly in on invisible wheels. Over his satin tunic was a network of glittering mock gems that must have included every yellow bead and spangle in Vine County. From his shoulders floated a cloud of yellow, diamond-dusted tulle; and the crown of gems surrounded a cluster of small lights, a device Billy himself had figured out with the aid of the electric light man. When Moses reached the barn he found Mr. Wopp just drawing up his team of heavy-work horses beside a small corral where the hay was to be deposited. On the load beside Mr. Wopp. Moses’ wondering eyes beheld Jethro—Jethro whose greatest joy was to run beside any vehicle and range the country as far as he could on both sides of the trail. Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers..