April 7, 1911. CHAPTER III ADVENTURE!

All the foregoing is by way of preamble to the statement that the horrors of Molokai, as they have been painted in the past, do not exist. The Settlement has been written up repeatedly by sensationalists, and usually by sensationalists who have never laid eyes on it. Of course, leprosy is leprosy, and it is a terrible thing; but so much that is lurid has been written about Molokai that neither the lepers, nor those who devote their lives to them, have received a fair deal. Here is a case in point. A newspaper writer, who, of course, had never been near the Settlement, vividly described Superintendent McVeigh, crouching in a grass hut and being besieged nightly by starving lepers on their knees, wailing for food. This hair-raising account was copied by the press all over the United States and was the cause of many indignant and protesting editorials. Well, I lived and slept for five days in Mr. McVeigh’s “grass hut” (which was a comfortable wooden cottage, by the way; and there isn’t a grass house in the whole Settlement), and I heard the lepers wailing for food—only the wailing was peculiarly harmonious and rhythmic, and it was accompanied by the music of stringed instruments, violins, guitars, ukuleles, and banjos. Also, the wailing was of various sorts. The leper brass band wailed, and two singing societies wailed, and lastly a quintet of excellent voices wailed. So much for a lie that should never have been printed. The wailing was the serenade which the glee clubs always give Mr. McVeigh when he returns from a trip to Honolulu. Paul explained the pictures to Felicite. And, in fact, this was her only literary education.

All of which I submit as evidence that the man I boxed with was a totally different man from the poor, ninety-pound weight of eight years before, who, given up by physicians and alienists, lay gasping his life away in a closed room in Portland, Oregon. The book that Ernest Darling has written is a good book, and the binding is good, too. That is what it is, a royal sport for the natural kings of earth. The grass grows right down to the water at Waikiki Beach, and within fifty feet of the everlasting sea. The trees also grow down to the salty edge of things, and one sits in their shade and looks seaward at a majestic surf thundering in on the beach to one’s very feet. Half a mile out, where is the reef, the white-headed combers thrust suddenly skyward out of the placid turquoise-blue and come rolling in to shore. One after another they come, a mile long, with smoking crests, the white battalions of the infinite army of the sea. And one sits and listens to the perpetual roar, and watches the unending procession, and feels tiny and fragile before this tremendous force expressing itself in fury and foam and sound. Indeed, one feels microscopically small, and the thought that one may wrestle with this sea raises in one’s imagination a thrill of apprehension, almost of fear. Why, they are a mile long, these bull-mouthed monsters, and they weigh a thousand tons, and they charge in to shore faster than a man can run. What chance? No chance at all, is the verdict of the shrinking ego; and one sits, and looks, and listens, and thinks the grass and the shade are a pretty good place in which to be. The scenery between Vieiras’s (where the Kaupo Gap empties into the sea) and Lana, which we covered in half a day, is well worth a week or month; but, wildly beautiful as it is, it becomes pale and small in comparison with the wonderland that lies beyond the rubber plantations between Hana and the Honomanu Gulch. Two days were required to cover this marvellous stretch, which lies on the windward side of Haleakala. The people who dwell there call it the “ditch country,” an unprepossessing name, but it has no other. Nobody else ever comes there. Nobody else knows anything about it. With the exception of a handful of men, whom business has brought there, nobody has heard of the ditch country of Maui. Now a ditch is a ditch, assumably muddy, and usually traversing uninteresting and monotonous landscapes. But the Nahiku Ditch is not an ordinary ditch. The windward side of Haleakala is serried by a thousand precipitous gorges, down which rush as many torrents, each torrent of which achieves a score of cascades and waterfalls before it reaches the sea. More rain comes down here than in any other region in the world. In 1904 the year’s downpour was four hundred and twenty inches. Water means sugar, and sugar is the backbone of the territory of Hawaii, wherefore the Nahiku Ditch, which is not a ditch, but a chain of tunnels. The water travels underground, appearing only at intervals to leap a gorge, travelling high in the air on a giddy flume and plunging into and through the opposing mountain. This magnificent waterway is called a “ditch,” and with equal appropriateness can Cleopatra’s barge be called a box-car.