“I’ve always been considered good at asking awkward questions,” she assured him. “As friends of Mary Stopperton,” he said, “we meet on neutral ground. But in all matters of moment I expect we are as far asunder as the poles. I stand for the People.”!

“I must go now,” she said in a harsh voice, and he released her. She would make him put his arms around her.

And then he had wandered off into a maze of detail. The tradesman, dreaming perhaps of becoming a Whiteley, having to choose whether to go forward or remain for all time in the little shop. The statesman—should he abide by the faith that is in him and suffer loss of popularity, or renounce his God and enter the Cabinet? The artist, the writer, the mere labourer—there were too many of them. A few well-chosen examples would have sufficed. And then that irritating cough! Joan was about to reply when the maid’s announcement of “Mrs. Denton” postponed the discussion. Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them.