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"Oh, yes, I am quite ready," says Mona, starting somewhat guiltily. And then they pass out through the big yard-gate, with the two dogs at their heels, and their attendant squire, who brings up the rear with a soft whistle that rings through the cool night-air and tells the listening stars that the "girl he loves is his dear," and his "own, his artless Nora Creana." "Don't betray me, at all events. He is a touchy sort of fellow, and mightn't like to think I knew that about him. Jack, my second brother, sings too. He is coming home from India directly, and is an awfully good sort, though I think I should rather have old Nick after all." "If he claims my wife for another dance, I'll——" begins Geoffrey..
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"To see poor Kitty Maloney, his widow. Last year she was my servant. This year she married; and now—here is the end of everything—for her." As this is the idea that has haunted every one since the disclosure, and that they each and all have longed but feared to discuss, they now regard Nolly with admiration,—all save Lady Rodney, who, remembering her unpleasant insinuations of an hour ago, moves uneasily in her chair, and turns an uncomfortable crimson. "I shall remember," says Mona, not knowing what the paper contains. "And who am I, that I should dwell upon the sins of another? Are you tired, Paul? How fearfully pale you are looking!" "I know that. If I was not utterly sure of it I should instantly commit suicide by precipitating myself under the carriage-wheels," says Geoffrey. "Still—'let us dissemble.' Now say what I told you.".
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