Mrs. Gereth stared, then broke into a laugh that her companion had not expected. "Ah, my dear, certainly not so well as you!" The girl, at this, turned away again—she felt she looked too conscious; and she was aware that, during a pause, Mrs. Gereth's eyes watched her as she went. She faced about afresh to meet them, but what she met was a question that reinforced them. "Why had you a 'delicacy' as to speaking of Mona?" "Oh yes, a lot of things. But you wouldn't know the place, all the same." He looked about the room with his discolored, swindled face, which deepened Fleda's compassion for him, conjuring away any smile at so candid an image of the dupe. "You'd know this one soon enough, wouldn't you? These are just the things she ought to have left. Is the whole house full of them?"!

She stopped again before the bench, and an inspiration came to her. "I should think you would know," she said with proper dignity. Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?"

She stopped again before the bench, and an inspiration came to her. "I should think you would know," she said with proper dignity. "You don't mind her seeing it?" "To give them up?" Fleda hesitated again.