Flossie was sceptical. “Why hasn’t it done it before?” she wanted to know. “Good Lord! There’s been enough of it.” Why had he never “brought her up,” never exacted obedience from her, never even tried to influence her? It could not have been mere weakness. She stole a sidelong glance at the tired, lined face with its steel-blue eyes. She had never seen them other than calm, but they must have been able to flash. Why had he always been so just and kind and patient with her? Why had he never scolded her and bullied her and teased her? Why had he let her go away, leaving him lonely in his empty, voiceless house? Why had he never made any claim upon her? The idea came to her as an inspiration. At least, it would ease her conscience. “Why don’t you let Arthur live here,” she said, “instead of going back to his lodgings? It would be company for you.”!

Joan shot a glance. The girl was evidently serious. The victory was won. Mrs. Phillips had turned away. The shopman was altering the order. Joan moved towards the door, and accidentally caught sight of Mrs. Phillips’s face. The flabby mouth was trembling. A tear was running down the painted cheek.

“Tell me,” he said. There was a note of fierce exultation in his voice. “I’ll promise never to speak of it again. If I had been a free man, could I have won you?” It was all so sweet and restful. Religion had never appealed to her before. The business-like service in the bare cold chapel where she had sat swinging her feet and yawning as a child had only repelled her. She could recall her father, aloof and awe-inspiring in his Sunday black, passing round the bag. Her mother, always veiled, sitting beside her, a thin, tall woman with passionate eyes and ever restless hands; the women mostly overdressed, and the sleek, prosperous men trying to look meek. At school and at Girton, chapel, which she had attended no oftener than she was obliged, had had about it the same atmosphere of chill compulsion. But here was poetry. She wondered if, after all, religion might not have its place in the world—in company with the other arts. It would be a pity for it to die out. There seemed nothing to take its place. All these lovely cathedrals, these dear little old churches, that for centuries had been the focus of men’s thoughts and aspirations. The harbour lights, illumining the troubled waters of their lives. What could be done with them? They could hardly be maintained out of the public funds as mere mementoes of the past. Besides, there were too many of them. The tax-payer would naturally grumble. As Town Halls, Assembly Rooms? The idea was unthinkable. It would be like a performance of Barnum’s Circus in the Coliseum at Rome. Yes, they would disappear. Though not, she was glad to think, in her time. In towns, the space would be required for other buildings. Here and there some gradually decaying specimen would be allowed to survive, taking its place with the feudal castles and walled cities of the Continent: the joy of the American tourist, the text-book of the antiquary. A pity! Yes, but then from the aesthetic point of view it was a pity that the groves of ancient Greece had ever been cut down and replanted with currant bushes, their altars scattered; that the stones of the temples of Isis should have come to be the shelter of the fisher of the Nile; and the corn wave in the wind above the buried shrines of Mexico. All these dead truths that from time to time had encumbered the living world. Each in its turn had had to be cleared away. Suddenly, she sat up with a stifled cry. It seemed as if a flash of light had been turned upon her, almost blinding her.