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"Would you like a fan, Nolly?" says Mona, with a laugh, yet really with a kindly view to rescuing him from his present dilemma. "Do you think you could find me mine? I fancy I left it in the morning-room." "Yes; that is Sir Nicholas's Doatie Darling," returns Mona, with a light laugh. And then Nolly leads her away, and, feeling more confident with him, she is once again dancing as gayly as the best. "What! now?" with some hesitation, yet plainly filled with an overwhelming desire to show herself to him without loss of time in the adorable gown. "If I should be seen! Well, never mind; I'll risk it. Go down to the little green glade in the wood, and I'll be with you before you can say Jack Robinson.".
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"You are speaking of Lady Chetwoode? Was it her that called last week?" asks Mona, timidly, forgetting grammar in her nervousness. The Australian struggles for a moment. Then, finding Geoffrey too many for him, he looses one of his hands, and, thrusting it between his shirt and waistcoat, brings to light a tiny dagger, very flat, and lightly sheathed. Mona takes no notice of his words, but still stands by the table, with her hands folded, her long white robes clinging to her, her eyes lowered, her whole demeanor like that of some mediæval saint. So thinks Rodney, who is gazing at her as though he would forever imprint upon his brain the remembrance of a vision as pure as it is perfect. The other smiles faintly. He is evidently glad because of Geoffrey's words, but speech is now very nearly impossible to him. His attempt to rise, to point out the imaginary moonlight to Mona, has greatly wasted his small remaining stock of life, and now but a thin partition, frail and broken, lies between him and that inexorable Rubicon we all must one day pass..
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