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"Is truth insolence?" asks Rodney. "If so, I demand your pardon. My speech, no doubt, was a betise, yet it came from my heart." "I'm a long way off being rich," says the young man, who is palpably amused, in spite of a valiant effort to suppress all outward signs of enjoyment. "I'm awfully poor when compared with some fellows. I dare say I must come in for something when my other uncle dies, but at present I have only fifteen hundred pounds a year." "You will come first and see Philippa?" she says, in a slow peculiar tone that sounds as if it had been dug up and is quite an antique in its own way. It savors of dust and feudal days. Every one says he or she will be delighted, and all try to look as if the entire hope of their existence is centred in the thought that they shall soon lay longing eyes on Philippa,—whose name in reality is Anne, but who has been rechristened by her enterprising sister. Anne is all very well for everyday life, or for Bluebeard's sister-in-law; but Philippa is art of the very highest description. So Philippa she is, poor soul, whether she likes it or not..
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Conrad
MĪKA´PI—RED OLD MAN "Where do you get your music?" asks Geoffrey, idly, wondering how "London Bridge" has found its way to this isolated spot, as he thinks of the shops in the pretty village near, where Molloy and Adams, and their attendant sprite called Weatherley, are unknown. "I do not wish to lay claim to anything," says Mona, throwing up her head with a little proud gesture,—"least of all to what does not by right belong to me. To be Mrs. Geoffrey is all I ask." "Well, do not preach such doctrine to Geoffrey," she says, with repentance mixed with pathos..
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