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“O, Mar, jist a teeny-weeny brown crust, it carn’t hurt me.” “She can’t, you know; she and sister have to work hard to make what we spend now. I don’t do half enough myself.” “Oh Miss Gordon,” cried Betty suddenly roused to fresh interest, “you must see my pet turkey after supper. He has only one eye an’ he walks corner ways an’ his name is Job an’ I jist love him.” Betty’s breath was all used up and she sat back exhausted..

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“What is Betty like?” “Dear Billy,” it read; “Shifty seen the fight. He says it was something fierce. He says you looked like a mad bull. He was hiding behind the fence. He says he bet on me; but he was glad he didn’t bet with nobody, because you whipped. Shifty’s doing some of my written work—I’m telling him how, of course. And I’m studying right smart. Say, Bill, I don’t lay no grudge. My arm’s getting on fine. Perhaps the fact that Mannel came from a home where Russian was the language in use and that he knew little English, accounted for his abnormal seriousness during school hours. He could not be absolutely sure what was being said or what might be done to him. Perhaps some cruel elder brother, before Mannel had even started his education, had explained to him in voluble Russian that dreadful pains and penalties were likely to follow the slightest deviation from the paths of virtue. Certain it is that he kept a close watch on the teacher, and that none of her slightest movements escaped him. Though his general appearance might cause mirth in others, he himself seldom smiled. Day by day he sat in his little front seat grasping slate and pencil in chubby hands, gazing earnestly at the sums on the blackboard as he copied them down. Afterward he worked these with fitting solemnity. To him they appeared to be of the greatest difficulty and of national importance. Sometimes he wrote endless rows of letters on his slate. Sometimes he made nondescript figures out of plasticine or drew patterns on his slate or counted beads. At other times, grievous to relate, when he felt sure the teacher was otherwise engaged and could not possibly see him, he drew fierce triangular cats with four or perhaps five stiff, geometrical legs and rampant tails. “Why not arsk Geordie Hodgekiss. He’s sich a grand feller fer helpin’ at dances, an’ his voice ’ud most wake the dead. I feel shore he’d hev the good o’ the quilt at heart.”.