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"Spring comes slowly up this way" Thus half an hour goes by. Then Geoffrey, growing uneasy, raises his head and looks at Mona. From where he sits the bed is hidden from him, but he can see that she is still kneeling beside it, her hand in Rodney's, her face hidden in the bedclothes. She covers her eyes with her hands, and tries vainly to decide on what is best for her to do. In all the books she has ever read the young woman placed in her position would not have hesitated at all. As if reared to the situation, she would have thrown up her head, and breathing defiance upon the tempter, would have murmured to the sympathetic air, "Honor above everything," and so, full of dignity, would have moved away from her discomfited companion, her nose high in the air. She would think it a righteous thing that all the world should suffer rather than one tarnish, however slight, should sully the brightness of her fame..
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"Your description is graphic," he answers, lightly, "if faintly unkind; but when is the truth civil? You are right. Younger sons, as a rule, are not run after. Mammas do not hanker after them, or give them their reserve smiles, or pull their skirts aside to make room for them upon small ottomans." Mona makes no reply. "Now carry him over the bridge and put him down there, and he must go home, whether he likes it or not," goes on Mona to her warrior, whereupon that renowned person, armed with the shrieking turkey, crosses the bridge. Having gained the other side, he places the angry bird on its mother earth, and with a final and almost tender "Shoo!" sends him scuttling along to the farmyard in the distance, where, no doubt, he is received either with open arms and kisses, or with a sounding "spank," as our American cousins would say, by his terrified mamma. "I am in no pain," says Mona, crimson with shame and mortification. "You mistake everything. I have not even a scratch on me; and—I have no shoes or stockings on me either, if you must know all!".
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