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She is clad in a snowy gown of simple cotton, that sits loosely to her lissom figure yet fails to disguise the beauty of it. A white kerchief lies softly on her neck. She has pulled up her sleeves, so that her arms are bare,—her round, soft, naked arms that in themselves are a perfect picture. She is standing with her head well thrown back, and her hands—full of corn—lifted high in the air, as she cries aloud, "Cooee! Cooee!" in a clear musical voice. Hame, hame to my ain countrie, "Speak lower," said the old woman, "or you may be heard. We have no good food because there is a great snake here who is the chief of the camp. He takes all the best pieces. He lives over there in that snake-painted lodge.".

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She says it all quite simply, with a smile, and a quick blush that arises merely from the effort of having to explain, not from the explanation itself. There is not a touch of malice in her soft eyes or on her parted lips. Then there is another pause, rather longer than the last, Lady Rodney trifles with the fan in a somewhat excited fashion, and Geoffrey gazes, man-like, at his boots. At last his mother breaks the silence. Thus adjured,—though in truth he requires little pressing, having been devoured with a desire since early dawn to reveal the hidden knowledge that is in his bosom,—Geoffrey relates to them the adventure of the night before. Indeed, he gives such a brilliant coloring to the tale that every one is stricken dumb with astonishment, Mona herself perhaps being the most astonished of all. However, like a good wife, she makes no comments, and contradicts his statements not at all, so that (emboldened by her evident determination not to interfere with anything he may choose to say) he gives them such a story as absolutely brings down the house,—metaphorically speaking. And then Geoffrey, marking all this, is vexed within himself, and, going over to her, lays his arm once more around her neck, and presses his cheek to hers..