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"Curiosity, as I have already told Mrs. Rodney," returns he, lightly. "The window was open, the lamp burning. I walked in to see the old room.",

The tears are still lingering on her lashes; her mouth is sad. Yet at this instant, even as Geoffrey is gazing at her and wondering how he shall help to dispel the cloud of sorrow that sits upon her brow, her whole expression changes. A merry gleam comes into her wet eyes, her lips widen and lose their lachrymose look, and then suddenly she throws up her head and breaks into a gay little laugh.,

The momentous Friday comes at last, and about noon Mona and Geoffrey start for the Towers. They are not, perhaps, in the exuberant spirits that should be theirs, considering they are going to spend their Christmas in the bosom of their family,—at all events, of Geoffrey's family which naturally for the future she must acknowledge as hers. They are indeed not only silent, but desponding, and as they get out of the train at Greatham and enter the carriage sent by Sir Nicholas to meet them their hearts sink nearly into their boots, and for several minutes no words pass between them.,

"By Jove, you know, you've about done it," he says, bestowing upon Geoffrey's shoulder a friendly pat that rather takes the breath out of that young man's body. "Gave you credit for more common sense. Why, such a proceeding as this is downright folly. You are bound to pay for your fun, you know, sooner or later."

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"You speak like a lover," says Lady Rodney, with an artificial laugh. "Do you repeat all this to Dorothy? She must find it very interesting.",

So she goes in, and Geoffrey, closing the door behind her, leaves them together.,

Of course everybody that is anybody has called on the new Mrs. Rodney. The Duchess of Lauderdale who is an old friend of Lady Rodney's, and who is spending the winter at her country house to please her son the young duke, who is entertaining a houseful of friends, is almost the first to come. And Lady Lillias Eaton, the serious and earnest-minded young æsthetic,—than whom nothing can be more coldly and artistically correct according to her own school,—is perhaps the second: but to both, unfortunately, Mona is "not at home.",

"Then I can only say I pity you," says Miss Mansergh, leaning back in her chair, with the air of one who would say, "Argument here is in vain."