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The orchestra were tuning up, that delightful tilting at the notes that precedes the overture. To Moses were revealed such vistaed glimpses of trees and mountains and rivers as his young eyes had never seen. He saw nothing but the gorgeous scenery and the blaze of lights, and heard nothing but the booming of the drum in the overture. Then becoming more used to the glare and clamor, he cocked one eye aloft and saw youths of his own age eating peanuts in the gallery. It made his mouth water. He surveyed the obnoxious offenders however with the nonchalance of one who has already dined sumptuously. Outwardly Moses was an overgrown, freckle-faced, well-fed boy of commonplace propensities; inwardly he was a battery fully charged. “Come on Betty, you haven’t had a dance this evening. It isn’t fair for the grownups to have all the fun,” invited Howard Eliot. “None of your nonsense,” replied the long-limbed pedestrian, his thankyou’s cut short by Moses’ cheerfulness..

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“Where have you been, Billy Boy, Billy Boy? She emerged from the house her hair coiled on the top of her head and decorated with a strip of shining silver from an empty biscuit tin. Thus had she seen a circus lady dressed on one never-to-be-forgotten day. Around her small body was draped a yellow silk shawl of Mrs. Wopps. Her feet were encased in a pair of Ebenezer Wopp’s reddest socks, bound on by bright green ribbon ripped from her winter hat. From her fair hair floated a white aigret made of chicken feathers hastily wired together. Moses needed no aigret as a strand of red hair stood upright from the crown of his head. Innocuous as this remark might seem, it caused St. Elmo’s lip to quiver and two large tears started on their grimy course down his cheeks. “Sometimes yes an’ orftener no. I’d hate to leave Betty an’ the pinto.”.