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"I don't care what you have said," interrupts Mona, quickly. She has her arms round Lady Rodney's waist by this time, and is regarding her beseechingly. She is clad in a long white dressing-gown, loose, yet clinging, that betrays each curve of her svelte, lissom figure. It is bordered with swansdown, and some rich white lace, that sits high to her neck and falls over her small hands. Her hair is drawn back into a loose knot, that looks as if it would tumble down her back should she shake her head. She is pale, and her eyes are peculiarly large and dark from excitement. They are fixed upon Rodney with a gaze that belies all idea of fear, and her lips are compressed and somewhat dangerous. Is thick inlaid with patines of bright gold.".

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"Oh, yes, lots of 'em," says Mr. Darling, who has come suddenly up beside them: "for instance, I don't believe I ever said it in all my life, either to myself or to any one else. Are you engaged, Mrs. Geoffrey? And if not, may I have this dance?" "Because"—with a quick blush—"I am not accustomed to dancing much. Indeed, I only learned to-day, and I might not be able to dance with every one." "Mona must go," says Nicholas, quickly. "Lady Lilias made a point of it. You will go, Mona?" "It shall be helped," she says, in a low, but condensed tone. "For the future I forbid any one in my house to take it upon them to say whether I am in or out. I am the one to decide that. On what principle did you show them in here?" she asks, turning to Mona, her anger increasing as she remembers the rakish cap: "why did you not say, when you were unlucky enough to find yourself face to face with them, that I was not at home?".