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"Her angel's face "Where is Mona?" Geoffrey, leading his wife into the hall, pauses beneath a central swinging lamp, to examine her critically. The footman who is in attendance on them has gone on before to announce their coming: they are therefore for the moment alone..

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When she has finished, Geoffrey says "thank you" in a low tone. He is thinking of the last time when some one else sang to him, and of how different the whole scene was from this. It was at the Towers, and the hour with its dying daylight, rises before him. The subdued light of the summer eve, the open window, the perfume of the drowsy flowers, the girl at the piano with her small drooping head and her perfectly trained and very pretty voice, the room, the soft silence, his mother leaning back in her crimson velvet chair, beating time to the music with her long jewelled, fingers,—all is remembered. The song seemed to come from a big cotton-wood tree near the trail leading down to the water. As she looked closely at this tree she saw a queer stone jammed in a fork where the tree was split, and with it a few hairs from a buffalo which had rubbed against the tree. The woman was frightened and dared not pass the tree. Soon the singing stopped and the I-nĭs´kĭm said to the woman, "Take me to your lodge, and when it is dark call in the people and teach them the song you have just heard. Pray, too, that you may not starve, and that the buffalo may come back. Do this, and when day comes your hearts will be glad." The very air is still. There is no sound, no motion, save the coming and going of their own breath as it rises quickly from their hearts, filled full of passionate admiration for the loveliness before them. "Look here," says Geoffrey. "I won't have Mona spoiled. If she hadn't a headache, she hadn't, you know, and if you were at home, why, you were, and that's all about it. Why should she tell a lie about it?".