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“I wouldn’t jist say he cant git up, Mrs. Wopp, fer Mrs. Bower sewed the tear up fer him; but the pants bein’ still on him and Joe bein’ shy-like she felt too narvous to make a good job of it an’ I reckon Joe is afeard those few stitches Mrs. Bower put in may not be very secoor.”,

“Ebenezer Wopp, I’ve tarlked to you till I’m black in the face, but it’s jist wastin’ valyble breath. Yer brains is allers wool-gatherin’. The hammer’s in yer hip-pocket.”,

“A perfectly gorgeous occasion,” Bess supplemented.,

“Just our age.”

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She took a step, but he caught her hand. “I don’t care if I am, he mustn’t see—no one must,—I didn’t mean you should. Besides, I walked home and brought my wheel; I’ll live, I guess,—I’m too mean to kill.” He put his stiff, swollen hand over his face. “It’s Jimmy that’s in danger.” A new note of terror came into his voice as he remembered the pale face and limp arm; he had never seen a fighting boy look so before. “I’m afraid Jimmy’s hurt inside, mother. What if he should die?”,

“This is like the cup I had at Mrs. Newman’s, in Calgary,” said Betty, then turning to Nell she asked, “Do you ’member the lovely chiner cups at Mrs. Newman’s, time Mr. Zalhamber was there?”,

Moses’ intuition regarding St. Elmo’s retreat proved to be correct, and it was a sadly dejected countenance on which he gazed when he looked into the cave. Tears, dirt, and the juice of Saskatoon berries mingled on the fair sleeping face of the child, until he seemed to be the very Cree Indian he had so often personated in his play. His long curls were tangled and matted with small twigs. His diminutive brown velvet coat displayed a large rent in the elbow through which oozed a pathetic-looking suppuration of pink and white checked shirt.,

Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother.