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One tall, ambitious girl contributed a unique float called, “Lot’s Wife Looking Backward.” She had not been certain of the color for the desert, consequently had made the whole thing, including the wagon, the boys, and herself snowy white. She had copied an old Bible picture, carrying out the idea with sheets, and such liberal doses of flour, that only a heavy dew was needed to turn the float to dough instead of salt. However, the sun shone, and the addition of diamond dust over all made a very realistic picture that Billy praised heartily. “Miss Gordon done it, I know,” whispered Betty, clasping and unclasping her hands, “she’s not a school-teacher at orl, she’s jist a fairy growed up, an’ Mar’s a fairy godmother!” Vigorously all joined in the closing hymn and Mrs. Wopp’s high soprano could be heard above all the other voices. A sense of duty well performed added even greater power to the vocal billowing. The Prettymans’ white cow was ingeniously shaped and caparisoned to represent “India’s Sacred White Elephant”; and Jackson was the Hindoo leader. This exhibit caused much controversy. The attendant should ride on the neck of the elephant, all agreed to that; but the cow objected; so they compromised by having Jackson walk. The matter of costume for Jackson was not so easily settled, as the differing pictures of sacred elephants presented a variation in the attendants’ garb. May Nell,—who was to be the “Fair Princess of Bombay,”—as soon as she could get a hearing, ended the dispute amicably by suggesting that Jackson be allowed his choice in the matter of dress, an alternative that permitted each disputant to withdraw from the argument with honor..