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“What does that mean?” queried Moses. “That’s enough, Billy. Jimmy Dorr and George Packard are coming.” She was a sensible woman, yet she disliked to expose her boy to Jimmy’s caustic tongue. But Billy was equal to more than Jimmy. “We’ll play there’s a strike in the saw-mills, Dutchy, and this is scab labor,” Billy excused amiably. And for a fact the white cotton string carried the messages quite safely from the “Front,” where Jimmy and George laid out the “line” over wonderful grades, across impossible gorges; and “wired” back for further orders. Harry Potter was the operator at the “Front,” and Vilette,—“Women do operate, you know,” she said,—Vilette was the proud holder of “the key” at Headquarters, where Clarence Hammond strutted around as Messenger; and because he was the “son of the Boss,” bullied his Cousin Harry unmercifully. Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers..