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Dorothy from her corner laughs gayly. "Poor old Noll," she says: "it was his unhappy childhood that blighted his later years and made him the melancholy object he is." The morning wanes, and luncheon declares itself. When it has come to an end, Mona going slowly up the stairs to her own room is met there by one of the maids,—not her own,—who hands her a sealed note. Sir Nicholas, who has come out to meet him, gives him a hearty hand-shake, and a smile that would have been charming if it had not been funereal. Altogether, his expression in such as might suit the death-bed of a beloved friend, His countenance is of an unseemly length, and he plainly looks on Geoffrey as one who has fallen upon evil days..
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"I know," says Mona, sadly. "Oh, to think Geoffrey should marry 'a good girl'!" she says, weeping sadly. "One would think you were speaking of a servant! Oh! it is too cruel!" Here she rises and makes for the door, but on the threshold pauses to confront Sir Nicholas with angry eyes. "To hope the wretched boy had married 'a good girl'!" she says, indignantly: "I never heard such an inhuman wish from one brother to another!" "Yet I was not so wholly engrossed as you imagine," she says, seriously. "I thought of you many times. For one thing, I felt glad that you could see this place with my eyes. But I have been silent, I know; and—and——" "Look here," says Geoffrey. "I won't have Mona spoiled. If she hadn't a headache, she hadn't, you know, and if you were at home, why, you were, and that's all about it. Why should she tell a lie about it?".
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