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“This is a xylophone, take this little wooden hammer and play a few notes.” Moses took the hammer held out to him and striking a wooden bar brought out a weird but sweet sound. He struck several bars in succession and was enraptured to find that they produced a sort of veiled silvery music. “Sounds like the moon looks when you carnt see it fer clouds,” he mused, “Mar thinks I’d make a moosican, mebbe she’s right.” The scene ended in a crash of music; the curtain fell to a house wild with cheering. Edith and the principal performers were called again and again before the curtain. It was a generous, appreciative audience, giving its heartiest approval by rising. Ebenezer Wopp sat at the head of the table. Beaming from behind a promising array of cups and saucers, his portly wife presented a countenance of aggressive hospitality. In height and girth Mrs. Wopp had much the advantage of her husband..
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Conrad
“Mebbe you’re right, Moses; mebbe the seed was no good,” sighed Mrs. Wopp. “Anyhow, it’s too late now to put in any more. We carnt know ef the heart o’ a seed is good no more nor we kin know the heart o’ our next-door neighbor. The seed may ’pear to be good enough from the outside, yet arter all be mighty lackin’.” “Yes,” Billy answered breathlessly as he leaped from the buggy; “but we’ll have to go in the way I did if you want to catch ’em sure. We can come out by the trail.” “Some of the real stuff,” he requested, “just to make these folks realize they haven’t begun to live yet.” She made a quaint picture curled in a big chair under the window, where a lifted corner of the curtain gave light to the book, but left the rest of the room dark. It pleased her to play teacher. She asked Billy numberless questions, coaxed him to explain what she did not understand. And he soon learned that one must know a thing very well before he can tell it. He dictated some of the written work, and she transcribed it in her prim little script..
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