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Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers. As Mrs. Wopp was preparing for bed that night, she recalled the sensation the sight of her reckless offspring had given her. CHAPTER III THE SURPRISE.

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It seemed to him that his voice made no sound; that May Nell never ran so slowly; that the travellers would surely not hear him, not stop. How could they hear in all the noise? Betty had a conviction, though an unspoken one, that Moses was the primary cause of Job’s infirmity. The slowest of a large family of striped fluffy turkeys to emerge from the shell, he had been assisted in his efforts by the impatient Moses. Betty felt sure that the clumsy fingers of the boy had ruined the little turkey’s eye. The accusation, however, was too dreadful to be put into words. A dull yellow glow from the kerosene lamp, placed by Moses on the bureau, lighted up the figure of Betty reclining on snowy pillows. On one side of her was seated Howard, his arm about the drowsy child. On the side of the bed, squarely seated on one of Mrs. Wopp’s texts worked into the patchwork quilt, was Nell, watching the little pallid face and trying to avoid the eyes of her silent lover. “Golly! Wish’t I had time to stay an’ watch. But I won’t, Betsey; I’ll go right now.”.