She reached home in the evening. The Phillips’s old rooms had been twice let since Christmas, but were now again empty. The McKean with his silent ways and his everlasting pipe had gone to America to superintend the production of one of his plays. The house gave her the feeling of being haunted. She had her dinner brought up to her and prepared for a long evening’s work; but found herself unable to think—except on the one subject that she wanted to put off thinking about. To her relief the last post brought her a letter from Arthur. He had been called to Lisbon to look after a contract, and would be away for a fortnight. Her father was not as well as he had been. Beyond giving up her visits to the house, she had made no attempt to avoid meeting Phillips; and at public functions and at mutual friends they sometimes found themselves near to one another. It surprised her that she could see him, talk to him, and even be alone with him without its troubling her. He seemed to belong to a part of her that lay dead and buried—something belonging to her that she had thrust away with her own hands: that she knew would never come back to her.!

“No,” said Joan. “I don’t think I’ve got what you call the artistic temperament. I have never felt drawn towards anything of that sort.” What was plucking at her sleeve—still holding her?

“A strange supper-party,” he said. “Cyril the Apostate; and Julius who strove against the High Priests and the Pharisees; and Inez a dancer before the people; and Joanna a daughter of the rulers, gathered together in the house of one Mary a servant of the Lord.” Joan laughed. “I can see Carleton rather fancying himself in a tiara,” she said. “I must tell Phillips what you say. He’s out for a fight with him. Government by Parliament or Government by Press is going to be his war cry.” It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her.