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While Betty, mounted on a bench in the shed, was getting down her watering-can, Job, who during the afternoon had searched diligently but vainly for her, rounded the corner of the garden fence. He noted the open gate and sped towards it. As he entered the garden his eye fell on St. Elmo who stood absorbed and expectant. The turkey, his odd corner-wise gait accentuated by his anxiety of mind, rushed towards the child who at first did not notice his approach. But presently, turning around, St. Elmo beheld an apparently formidable assailant which by the most powerful flight of imagination could not be mistaken for a fairy. All escape by way of the gate was shut off by the intruder. St. Elmo’s plump legs, bare above his low socks, twinkled as he ran wildly towards the foot of the garden. As he came into the main road a rosy, wholesome looking girl was flying by. “Hello, Jean!” he called after her; “that’s going some—for a girl.” “Mebbe them new seed catalogue folks cheated us, Mar,” he suggested..

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“And Jean and Jimmy, too.” The loose-jointed one at last regained his feet and turning in the direction of the witnesses of his ignominy gave them a resentful glare. Moses was leaning against a fence and laughing till it seemed as though his eyes must remain indefinitely imbedded in their sockets. The operetta opened with a weird winter scene, when the Sower (Harold) sowed his grain, and the gnomes and elves set upon him; and evoked Storm King (Jimmy), Wind (Bess), and Frost (Jackson). He was the comedy of the little drama; and dressed all in black, covered with silver spangles and diamond dust, he made a joke that the wine-growers appreciated, for it is the black frosts of April they fear. “I’ll wrestle with you first chance,” he challenged; “but you wouldn’t have any show, your dress is so long. Why do you have ’em so?”.