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“Did the little kids take it hard?” “Arsk a dorg with a tin pail tied to his ear to smile at yer,” returned Moses, sourly. “But where does our fun come in? Girls don’t build railroads,” Bess complained..

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“Oh ’bout the fairies an’ stars an’ lovely things that grownups know nothin’ about.” The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores. Viewing the upturned swill-pail, she suddenly became cynical. On Moses Wopp devolved the responsibility of driving the ladies of the household over the two miles of prairie lying between the Wopp ranch and that of Mrs. Mifsud. Betty, too, was going. The Ladies’ Aid did not meet every day, nor had it always on hand the alluring business of an autograph quilt, on which flourished in outlined boldness the name of every man, woman and child in the district and many out of it..