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Nolly regards her mournfully. "Nor I, till I see you," says Geoffrey, earnestly, actually believing what he says himself. It is Mona's laugh. Raising their eyes, both mother and son turn their heads hastily (and quite involuntarily) and gaze upon the scene beyond. They are so situated that they can see into the curtained chamber and mark the picture it contains. The duke is bending over Mona in a manner that might perhaps be termed by an outsider slightly empresse, and Mona is looking up at him, and both are laughing gayly,—Mona with all the freshness of unchecked youth, the duke with such a thorough and wholesome sense of enjoyment as he has not known for years..
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"Yes, very glad," returns he, hardly knowing what he says. He has gone back again to his first thoughts,—his mother's boudoir, with its old china, and its choice water-colors that line the walls, and its delicate Italian statuettes. In his own home—which is situated about fourteen miles from the Towers, and which is rather out of repair through years of disuse—there are many rooms. He is busy now trying to remember them, and to decide which of them would look best decked out in crimson and gray, or blue and silver: he hardly knows which would suit her best. Perhaps, after all—— She turns up one of the lamps, whilst Rodney still continues his contemplation of the wall before him. Conversation languishes, then dies. Mona, raising her hand to her lips, suppresses valiantly a yawn. After this the people found a certain sort of stone in the land, and took another harder stone, and worked one upon the other and hollowed out the softer one, so as to make of it a kettle. Even Lady Rodney for the moment has fallen a prey to her unpremeditated charms, and is leaning forward anxiously watching her. Jack and Sir Nicholas are enchanted..
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