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At last, one day, Old Man decided that he would make a woman and a child, and he modelled some clay in human shape, and after he had made these shapes and put them on the ground, he said to the clay, "You shall be people." He spread his robe over the clay figures and went away. The next morning he went back to the place and lifted up the robe, and saw that the clay shapes had changed a little. When he looked at them the next morning, they had changed still more; and when on the fourth day he went to the place and took off the covering, he said to the images, "Stand up and walk," and they did so. They walked down to the river with him who had made them, and he told them his name. "Dearest Mona, I must interrupt you again. Are you very busy? No? Oh, then do come and look at the last bonnet Madame Verot has just sent. She says there will be nothing to equal it this season. But," in a heart-broken voice, "I cannot bring myself to think it becoming." "What a dismal view you take of my trip! Perhaps, in spite of your forebodings, I shall enjoy myself down to the ground, and weep copiously on leaving Irish soil.".
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As he reaches the broad stream that divides him from the land he would reach, he pauses and tries to think of any decent excuse that may enable him to walk with a bold front up to the cottage door. But no such excuse presents itself. Memory proves false. It refuses to assist him. He is almost in despair. "What does he say about the moon?" asks Mona, still with her knees in her embrace, and without lifting her eyes from the quiet waters down below. "I didn't mean that, and I never hint," exclaims Mona, angrily; "and if you insist on the truth, if I must explain to you what I particularly desire to keep secret, you——" Now, I can't explain why but I never knew a young man who was not annoyed when the girl he loved was spoken of as a "young woman." Geoffrey takes it as a deliberate insult..
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