How shall I describe it? First of all, for the benefit of the tyro, let me explain that heaving to is that sea manœuvre which, by means of short and balanced canvas, compels a vessel to ride bow-on to wind and sea. When the wind is too strong, or the sea is too high, a vessel of the size of the Snark can heave to with ease, whereupon there is no more work to do on deck. Nobody needs to steer. The lookout is superfluous. All hands can go below and sleep or play whist. He informed her that she would never see her sweetheart again; for, in order to escape the conscription, he had married a rich old woman, Madame Lehoussais, of Toucques.!

P.S. Martin has just tried burnt alum, and is blessing the Solomons more fervently than ever. Fallible and frail, a bit of pulsating, jelly-like life—it is all I am. About me are the great natural forces—colossal menaces, Titans of destruction, unsentimental monsters that have less concern for me than I have for the grain of sand I crush under my foot. They have no concern at all for me. They do not know me. They are unconscious, unmerciful, and unmoral. They are the cyclones and tornadoes, lightning flashes and cloud-bursts, tide-rips and tidal waves, undertows and waterspouts, great whirls and sucks and eddies, earthquakes and volcanoes, surfs that thunder on rock-ribbed coasts and seas that leap aboard the largest crafts that float, crushing humans to pulp or licking them off into the sea and to death—and these insensate monsters do not know that tiny sensitive creature, all nerves and weaknesses, whom men call Jack London, and who himself thinks he is all right and quite a superior being.

“I think I can add to your outfit an additional method of utilizing the power of the wind,” wrote a well-wisher, “which, while not interfering with ordinary sails in light breezes, will enable you to use the whole force of the wind in its mightiest blows, so that even when its force is so great that you may have to take in every inch of canvas used in the ordinary way, you may carry the fullest spread with my method. With my attachment your craft could not be UPSET.” And then, and later, I learned the details of the marvellous book Ernest Darling had written. Twelve years ago he lay close to death. He weighed but ninety pounds, and was too weak to speak. The doctors had given him up. His father, a practising physician, had given him up. Consultations with other physicians had been held upon him. There was no hope for him. Overstudy (as a school-teacher and as a university student) and two successive attacks of pneumonia were responsible for his breakdown. Day by day he was losing strength. He could extract no nutrition from the heavy foods they gave him; nor could pellets and powders help his stomach to do the work of digestion. Not only was he a physical wreck, but he was a mental wreck. His mind was overwrought. He was sick and tired of medicine, and he was sick and tired of persons. Human speech jarred upon him. Human attentions drove him frantic. The thought came to him that since he was going to die, he might as well die in the open, away from all the bother and irritation. And behind this idea lurked a sneaking idea that perhaps he would not die after all if only he could escape from the heavy foods, the medicines, and the well-intentioned persons who made him frantic. Tahiti is one of the most beautiful spots in the world, inhabited by thieves and robbers and liars, also by several honest and truthful men and women. Wherefore, because of the blight cast upon Tahiti’s wonderful beauty by the spidery human vermin that infest it, I am minded to write, not of Tahiti, but of the Nature Man. He, at least, is refreshing and wholesome. The spirit that emanates from him is so gentle and sweet that it would harm nothing, hurt nobody’s feelings save the feelings of a predatory and plutocratic capitalist.