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This interlude gave Mrs. Wopp an opportunity to recover her equilibrium which had been disturbed by her vivid conception and realistic description of the storm, all of which had necessitated startling gestures and a swaying, rocking movement of the body, illustrative of a ship in distress. Here his laughter became a series of concussions decidedly menacing to his well-being. He threw himself on the bed and wept the bitterest tears he had ever shed in his life, tears of shame. There he lay—hours, he thought—determined to bear his pain and disgrace alone. Yet it was only minutes when he heard his mother in her room, coming!.

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Her questions brought long and wonderful tales of Billy’s younger life; of Edith when she, too, was a little girl. The child helped to set the table, carried in bread, salad plates, and jelly. “It shakes like the fat woman at the circus when she laughed. How do you make jelly?” The pianist took a long look at Nell who had been visibly affected by his playing. Misgivings that date back to Eden were leaping into life in his breast. He had been in love more times than he could count, but here was the girl after all. He began a Scherzo of his own composition. Youth gathering flowers at the open mouth of a volcano. The melody was born to live forever. He was a genius. Now Nell knew it and her soul worshipped genius. Howard Eliot was far from her thoughts as she listened to the enchanting chain of melodies that poured forth. Billy stooped to tie shoestrings already tidy; he was gaining time for thinking. “I reckon doing things you don’t like is work, and doing things you do like is play,” he explained, doubtfully. He sat by the table in his dressing-room with angry storm-swept countenance. He had been capturing loud plaudits with his rag-time, until intoxicated with success, he swept into a tornado of music by Moskowski. The applause died away; two ladies in the front row began chatting. The enraged artist jumped from the piano-stool, and shouting “Pigs!” raced from the platform..