"Oh, I don't mean with all the things here," he explained in regard to the opinion he had just expressed. "I mean I could put up with it just as it was; it had a lot of good things, don't you think? I mean if everything was back at Poynton, if everything was all right." He brought out these last words with a sort of smothered sigh. Fleda didn't understand his explanation unless it had reference to another and more wonderful exchange—the restoration to the great house not only of its tables and chairs, but of its alienated mistress. This would imply the installation of his own life at Ricks, and obviously that of another person. Such another person could scarcely be Mona Brigstock. He put out his hand now; and once more she heard his unsounded words: "With everything patched up at the other place, I could live here with you. Don't you see what I mean?" "Oh dear, yes!" Owen repeated.!

"You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!" "That's another matter: they'd bear it if I could. There won't have been, this time either, a shake or a scratch. But I'm too tired—I very nearly don't care."

"About bringing home to you?"—Fleda encouraged him. "Oh, she thinks they're all right!" Owen hesitated; then, "Oh, she's all right!" he laughed. "I go by Mrs. Brigstock's certain effect on her—the effect of the temper the old lady showed when we parted. Do you know what she asked me?" he sociably continued. "She asked me in a kind of nasty manner if I supposed you 'really' cared anything about me. Of course I told her I supposed you didn't—not a solitary rap. How could I suppose you do, with your extraordinary ways? It doesn't matter; I could see she thought I lied."