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Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart., The merchant threw himself on his knees, and with clasped hands, said to the Beast, "I pray you, my lord, to forgive me. I did not think to offend you by picking a rose for one of my daughters, who asked me to take it her." "I am not called my lord," responded the monster, "but simply the Beast, I do not care for compliments; I like people to say what they think; so do not think to mollify me with your flattery. But you tell me you have some daughters; I will pardon you on condition that one of your daughters will come of her own free will to die in your place. Do not stop to argue with me; go! and if your daughter refuses to die for you, swear that you will return yourself in three months' time.", At length the tumult began to subside, and Hippolitus could distinguish what was said. The ruffians agreed to give up the lady in question to him who had fought for her; and leaving him to his prize, they all went out in quest of farther prey. The situation of the unfortunate lady excited a mixture of pity and indignation in Hippolitus, which for some time entirely occupied him; he revolved the means of extricating her from so deplorable a situation, and in these thoughts almost forgot his own danger. He now heard her sighs; and while his heart melted to the sounds, the farther door of the apartment was thrown open, and the wretch to whom she had been allotted, rushed in. Her screams now redoubled, but they were of no avail with the ruffian who had seized her in his arms; when the count, who was unarmed, insensible to every pulse but that of a generous pity, burst into the room, but became fixed like a statue when he beheld his Julia struggling in the grasp of the ruffian. On discovering Hippolitus, she made a sudden spring, and liberated herself; when, running to him, she sunk lifeless in his arms..