If he doubted her insanity at all his suspicion had no stiffer ground than the shallow sand on which reposed his hope[Pg 327] that she was acting. Throughout this passage he did not think to consider her as the child of a great actress. To him she had always been a gentle, sweet, undemonstrative girl, ingenuous in speech, kind, charitable, beloved by the poor, one whose pursuits were amiable and pure. She was nimble and poetical with her pencil. She sang pretty songs prettily. Her beauty informed with a colour of its own the melodies her fingers evoked from the keys or strings of the instruments she touched. He could not think of her as having the talents of an actress, or even the tastes of one. He had never heard of her taking a part in a performance above a charade. Nothing, therefore, but madness or an extraordinary dramatic genius which it was impossible for him to think of her as possessing, could create those parts which she had enacted before him in a manner so immoderately life-like, so absolutely in unison with what he himself could conceive of the behaviour of madness, that deep in his soul might be found the conviction that she had lost her reason, and that his passionate, unprincipled love was the cause of it.,
But this sort of argument did not fall within the frame of Mr Greyquill's picture of integrity. It was a letter lying ready for anybody's hand in a public way; next, it was not addressed; third, it was not signed; and fourth, though the contents were apparently in Mr Lawrence's handwriting, yet some people did write, as Greyquill knew, so wonderfully alike that there was no reason to conclude without strong internal evidence that the letter Mr Greyquill held was written by Mr Lawrence. Whatever else it was, it was certainly a draft roughly pencilled of a letter that had been copied in ink and no doubt despatched. Here and there was an erasure in ink, which proved that it had been copied in ink and corrected in certain places by the pen that was transcribing it. He had not proceeded far when his eyebrows, which, as we have heard, inimitably expressed the aspect of two white mice, arched their backs to an extraordinary degree as though in imitation of a cat when enraged; his mouth took on the posture of a whistle; with his eyes rooted to[Pg 140] the sheet he stopped and scratched his head until he nearly tumbled his hat into the road.,
"We've had our supper," said Billy. "Thought we'd like to see you fer a minute er two, Harry," he added gravely, as he and his chum seated themselves..
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