Finally, after an interval, the girl exclaimed: "But the mere fatigue of it, the exhaustion of such a feat! I drag you to and fro here while you must be ready to drop." Directly after luncheon Mrs. Gereth took her into the garden for a glimpse of the revolution—or at least, said the mistress of Ricks, of the great row—that had been decreed there; but the ladies had scarcely placed themselves for this view before the younger one found herself embracing a prospect that opened in quite another quarter. Her attention was called to it, oddly, by the streamers of the parlor-maid's cap, which, flying straight behind the neat young woman who unexpectedly burst from the house and showed a long red face as she ambled over the grass, seemed to articulate in their flutter the name that Fleda lived at present only to catch. "Poynton—Poynton!" said the morsels of muslin; so that the parlor-maid became on the instant an actress in the drama, and Fleda, assuming pusillanimously that she herself was only a spectator, looked across the footlights at the exponent of the principal part. The manner in which this artist returned her look showed that she was equally preoccupied. Both were haunted alike by possibilities, but the apprehension of neither, before the announcement was made, took the form of the arrival at Ricks, in the flesh, of Mrs. Gereth's victim. When the messenger informed them that Mr. Gereth was in the drawing-room, the blank "Oh!" emitted by Fleda was quite as precipitate as the sound on her hostess's lips, besides being, as she felt, much less pertinent. "I thought it would be somebody," that lady afterwards said; "but I expected on the whole a solicitor's clerk." Fleda didn't mention that she herself had expected on the whole a pair of constables. She was surprised by Mrs. Gereth's question to the parlor-maid.!

"I'm very glad to be at home," Fleda responded. "I take it you don't mean that Owen has any!" Mrs. Gereth cried with her large laugh.

These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" This was categoric; Fleda drank it in. "She takes such an interest in them?" Her vivid friend, moreover, had got before her; he clearly suffered from the nature of the control he had to exercise. "Don't do that, miss—you won't care for it at all." Then as she waveringly stood her ground, "It's not a place for a young lady, nor, if you'll believe me, a sight for them as are in any way affected."