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"Oh, is that their name?—a pretty one too—if—er—somewhat difficult," says Lady Lilias, courteously. "Well as I was saying, in spite of their tails, they really are quite pretty." "Where are we now?" says Geoffrey, suddenly, stopping and facing "the boy." At this moment Geoffrey comes into the room and up to Mona. He takes no notice whatever of her companion, "Mona, will you come and sing us something?" he says, as naturally as though the room is empty. "Nolly has been telling the duchess about your voice, and she wants to hear you. Anything simple, darling,"—seeing she looks a little distressed at the idea: "you sing that sort of thing best.".
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"Nolly, you have no romance in your nature," says Nicholas, severely. There are, too, dispassionate periods, when he questions the wisdom of giving his heart to a girl lowly born as Mona undoubtedly is, at least on her father's side. And, indeed, the little drop of blue blood inherited from her mother is so faint in hue as to be scarcely recognizable by those inclined to cavil. In a minute or two the whole affair proves itself a very small thing indeed, with little that can be termed tragical about it. Geoffrey comes slowly back to life, and in the coming breathes her name. Once again he is trying to reach the distant fern; once again it eludes his grasp. He has it; no, he hasn't; yet, he has. Then at last he wakes to the fact that he has indeed got it in earnest, and that the blood is flowing from a slight wound in the back of his head, which is being staunched by tender fingers, and that he himself is lying in Mona's arms. At this, in spite of everything, Rodney laughs lightly, and, taking her hand in his, draws it through his arm. There is love and trust and great content in his laugh..
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