Wandering through clear chambers where the general effect made preferences almost as impossible as if they had been shocks, pausing at open doors where vistas were long and bland, she would, even if she had not already known, have discovered for herself that Poynton was the record of a life. It was written in great syllables of color and form, the tongues of other countries and the hands of rare artists. It was all France and Italy, with their ages composed to rest. For England you looked out of old windows—it was England that was the wide embrace. While outside, on the low terraces, she contradicted gardeners and refined on nature, Mrs. Gereth left her guest to finger fondly the brasses that Louis Quinze might have thumbed, to sit with Venetian velvets just held in a loving palm, to hang over cases of enamels and pass and repass before cabinets. There were not many pictures—the panels and the stuffs were themselves the picture; and in all the great wainscoted house there was not an inch of pasted paper. What struck Fleda most in it was the high pride of her friend's taste, a fine arrogance, a sense of style which, however amused and amusing, never compromised nor stooped. She felt indeed, as this lady had intimated to her that she would, both a respect and a compassion that she had not known before; the vision of the coming surrender filled her with an equal pain. To give it all up, to die to it—that thought ached in her breast. She herself could imagine clinging there with a closeness separate from dignity. To have created such a place was to have had dignity enough; when there was a question of defending it the fiercest attitude was the right one. After so intense a taking of possession she too was to give it up; for she reflected that if Mrs. Gereth's remaining there would have offered her a sort of future—stretching away in safe years on the other side of a gulf—the advent of the others could only be, by the same law, a great vague menace, the ruffling of a still water. Such were the emotions of a hungry girl whose sensibility was almost as great as her opportunities for comparison had been small. The museums had done something for her, but nature had done more. He paused so long for a reply that Fleda said: "I don't think I know what you mean by a set-to."!

"You mean, even if she doesn't let you off? Ah, you ask me too much!" Fleda spoke from the tiny hall, where she had taken refuge between the old barometer and the old mackintosh. "There are things too utterly for yourselves alone. How can I tell? What do I know? Good-bye, good-bye! If she doesn't let you off, it will be because she is attached to you." "For anything, apparently, except to act like a man and impose his reason and his will on your incredible folly. For anything except to put an end, as any man worthy of the name would have put it, to your systematic, to your idiotic perversity. What are you, after all, my dear, I should like to know, that a gentleman who offers you what Owen offers should have to meet such wonderful exactions, to take such extraordinary precautions about your sweet little scruples?" Her resentment rose to a strange insolence which Fleda took full in the face and which, for the moment at least, had the horrible force to present to her vengefully a showy side of the truth. It gave her a blinding glimpse of lost alternatives. "I don't know what to think of him," Mrs. Gereth went on; "I don't know what to call him: I'm so ashamed of him that I can scarcely speak of him even to you. But indeed I'm so ashamed of you both together that I scarcely know in common decency where to look." She paused to give Fleda the full benefit of this remarkable statement; then she exclaimed: "Any one but a jackass would have tucked you under his arm and marched you off to the Registrar!"

"Alone?" "Well, if she calls you names." CHAPTER XXI