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And then Geoffrey, marking all this, is vexed within himself, and, going over to her, lays his arm once more around her neck, and presses his cheek to hers. "How melancholy!" says Mona, with a nearer approach to brightness than she has shown all day. "You ask me no questions about last night," he says, suddenly; "and there is something I must say to you. Get rid of that fellow Ridgway, the under-gardener. It was he opened the library window for me. He is untrustworthy, and too fond of filthy lucre ever to come to good. I bribed him.".
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At this his dark face flames, and his eyes instinctively, yet almost against his will, seek hers. "There is a limit to everything,—even my patience," he says, not looking at his mother. "Mona is myself, and even from you, my mother, whom I love and reverence, I will not take a disparaging word of her." The dhudheen is an institution, no doubt, but the owner of it, as a rule, is not to be found seated on a five-barred gate, with a shamrock pinned in his hat and a straw in his mouth, singing "Rory O'More" or "Paddy O'Rafferty," as the case may be. On the contrary, poor soul, he is found by Geoffrey either digging up his potatoes or stocking his turf for winter use. "So it is really, Mrs. Geoffrey, you know," says Nolly, placing his hand on her other shoulder to give her a second shake. "Nick's quite right. Don't take it to heart; don't now. You might as well say the gunsmith who originally sold him the fatal weapon is responsible for this unhappy event, as—as that you are.".
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