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"Next mornin'," continued Cobin, "Frank went over to see old Scroggie. He wanted to hear him say what he told him the night afore, ag'in. It was gettin' along towards spring; the day was warm an' smelled of maple sap. Scroggie's cabin door was standin' ajar, Frank says. The ol' man was sittin' in his chair, a Bible upside down on his knees. He was dead! She spoke again to the phantom, but this[Pg 324] time in such a mere muttering of words that the listener caught nothing of her meaning, and then sank her figure in a profoundly respectful curtsy whilst she seemed to kiss a hand extended to her. After Lucy had done her shopping—and the few articles were to be delivered punctually that afternoon—she walked along High Street, so as to return by the road she had come by. When her steps had brought her abreast of "The Swan," she saw two men standing in conversation in the doorway of that old hostelry. They both bowed low to her, but it might have been noticed that after she had saluted them in return, the fine natural glow of her cheeks slightly deepened and her step appreciably quickened. If her object was to escape these men she must either run, which would not have been seemly, or submit to being overtaken if pursued, which happened in the case of one of them, and within a few minutes a gentleman was walking at her side. "He thinks you're guyin' him," said the other man. "How's he to know what you mean by 'fishin'-outfit?' He likely thinks you mean a rod and reel. Better push along and mind your own business. Next thing you're goin' to say is somethin' about 'shootin' a well,' and if Jacobs gets to hear of that kinder talk—".