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"Yes,—better than all the women I ever met," corrects Mona, but without placing the faintest emphasis upon the word "women," which omission somehow possesses its charm in Rodney's eyes. "He may be, of course," she says. "But I don't like to see a gay child like you sitting still. You should dance everything for the night." Then she strains the water from it, and looks with admiration upon its steaming contents. "The murphies" (as, I fear, she calls the potatoes) are done to a turn..

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"She had made up her mind that you would be insupportable, and she couldn't forgive you because you weren't," says that astute young man, with calm conviction. "Don't you be taken in, Mona." A small stone, which is often a fossil shell, or sometimes only a queer shaped piece of flint, is called by the Blackfeet I-nĭs´kĭm, the buffalo stone. This stone has great power, and gives its owner good luck in bringing the buffalo close, so that they may be killed. The stone is found on the prairie, and any one who finds one is thought to be very lucky. Sometimes a man who is going along on the prairie will hear a queer faint chirp, such as a little bird might make. He knows this sound is made by a buffalo stone. He stops and searches for it on the ground, and if he cannot find it, marks the place and comes back next day to look for it again. If it is found, he and all his family are glad. The Blackfeet tell a story about how the first buffalo stone was found. "But what was the subject of it?" Mona, sitting down to the piano, plays a few chords in a slow, plaintive fashion, and then begins. Paul Rodney has come to the doorway, and is standing there gazing at her, though she knows it not. The ballroom is far distant, so far that the sound of the band does not break upon the silence of the room in which they are assembled. A hush falls upon the listeners as Mona's fresh, pathetic, tender voice rises into the air..