It is told that long ago, one Maui, the son of Hina, lived on what is now known as West Maui. His mother, Hina, employed her time in the making of kapas. She must have made them at night, for her days were occupied in trying to dry the kapas. Each morning, and all morning, she toiled at spreading them out in the sun. But no sooner were they out, than she began taking them in, in order to have them all under shelter for the night. For know that the days were shorter then than now. Maui watched his mother’s futile toil and felt sorry for her. He decided to do something—oh, no, not to help her hang out and take in the kapas. He was too clever for that. His idea was to make the sun go slower. Perhaps he was the first Hawaiian astronomer. At any rate, he took a series of observations of the sun from various parts of the island. His conclusion was that the sun’s path was directly across Haleakala. Unlike Joshua, he stood in no need of divine assistance. He gathered a huge quantity of coconuts, from the fibre of which he braided a stout cord, and in one end of which he made a noose, even as the cow-boys of Haleakala do to this day. Next he climbed into the House of the Sun and laid in wait. When the sun came tearing along the path, bent on completing its journey in the shortest time possible, the valiant youth threw his lariat around one of the sun’s largest and strongest beams. He made the sun slow down some; also, he broke the beam short off. And he kept on roping and breaking off beams till the sun said it was willing to listen to reason. Maui set forth his terms of peace, which the sun accepted, agreeing to go more slowly thereafter. Wherefore Hina had ample time in which to dry her kapas, and the days are longer than they used to be, which last is quite in accord with the teachings of modern astronomy. I wanted that tooth. Also, Martin wanted a snap-shot of me getting it. Likewise Charmian got her camera. Then the procession started. We were stopping at what had been the club-house when Stevenson was in the Marquesas on the Casco. On the veranda, where he had passed so many pleasant hours, the light was not good—for snapshots, I mean. I led on into the garden, a chair in one hand, the other hand filled with forceps of various sorts, my knees knocking together disgracefully. The poor old Chinaman came second, and he was shaking, too. Charmian and Martin brought up the rear, armed with kodaks. We dived under the avocado trees, threaded our way through the cocoanut palms, and came on a spot that satisfied Martin’s photographic eye.!

As the Snark sailed out through the reef, she had a cutter in tow. This was the craft that was to take Bihaura back to Tahaa—but not Tehei. I had yielded at last, and he was one of the crew of the Snark. When the cutter cast off and headed east, and the Snark’s bow turned toward the west, Tehei knelt down by the cockpit and breathed a silent prayer, the tears flowing down his cheeks. A week later, when Martin got around to developing and printing, he showed Tehei some of the photographs. And that brown-skinned son of Polynesia, gazing on the pictured lineaments of his beloved Bihaura broke down in tears. His parents always told him to get something out of her, either a package of brown sugar, or soap, or brandy, and sometimes even money. He brought her his clothes to mend, and she accepted the task gladly, because it meant another visit from him.

Greenwich best, CHAPTER III ADVENTURE As I write these lines I lift my eyes and look seaward. I am on the beach of Waikiki on the island of Oahu. Far, in the azure sky, the trade-wind clouds drift low over the blue-green turquoise of the deep sea. Nearer, the sea is emerald and light olive-green. Then comes the reef, where the water is all slaty purple flecked with red. Still nearer are brighter greens and tans, lying in alternate stripes and showing where sandbeds lie between the living coral banks. Through and over and out of these wonderful colours tumbles and thunders a magnificent surf. As I say, I lift my eyes to all this, and through the white crest of a breaker suddenly appears a dark figure, erect, a man-fish or a sea-god, on the very forward face of the crest where the top falls over and down, driving in toward shore, buried to his loins in smoking spray, caught up by the sea and flung landward, bodily, a quarter of a mile. It is a Kanaka on a surf-board. And I know that when I have finished these lines I shall be out in that riot of colour and pounding surf, trying to bit those breakers even as he, and failing as he never failed, but living life as the best of us may live it. And the picture of that coloured sea and that flying sea-god Kanaka becomes another reason for the young man to go west, and farther west, beyond the Baths of Sunset, and still west till he arrives home again.