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Elinor smiled absently, and then burst out fervently, "Isn't it all gloriously workmanlike—the bare walls and smudged doors and the painty smell, too? It's so serious. Outside, the people regard a picture as a mere luxury, but in here, here," she said, exultantly, "it is absolutely the necessary thing in life.", "I'll learn what I can, at all events," retorted Jen; and in this unsatisfactory manner the conversation concluded. David retired to his room, and Jen went off to interview Isabella at The Wigwam., Elinor hesitated. "I don't know," she replied slowly, measuring her words. "I can't put my finger on it, but she doesn't seem the same to me as she did at first. She isn't jealous of my poor work, of course, but I can feel a something—a wall or barrier—that she raises up between us whenever my work is spoken of. I felt it when we talked about the subject of the prize designs, and I felt it today more clearly than ever. We can't be friends any more as we were, I'm afraid. Something has come between us. 'The little rift within the lute,'" she quoted sorrowfully..