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So runs the letter. "Where are you now, Mona?" asks Geoffrey, suddenly, laying his hand with a loving pressure on her shoulder. "In Afghanistan or Timbuctoo? Far from us, at least." There is a little vague reproach and uneasiness in his tone. "Don't betray me, at all events. He is a touchy sort of fellow, and mightn't like to think I knew that about him. Jack, my second brother, sings too. He is coming home from India directly, and is an awfully good sort, though I think I should rather have old Nick after all.".

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"That has nothing to do with it," says Rodney. "The easier one can get to a place the more one puts off going. I knew a fellow once, and he lived all his time in London, and I give you my word he had never seen the Crystal Palace. With whom did you go to Killarney?" When she has finished, Geoffrey says "thank you" in a low tone. He is thinking of the last time when some one else sang to him, and of how different the whole scene was from this. It was at the Towers, and the hour with its dying daylight, rises before him. The subdued light of the summer eve, the open window, the perfume of the drowsy flowers, the girl at the piano with her small drooping head and her perfectly trained and very pretty voice, the room, the soft silence, his mother leaning back in her crimson velvet chair, beating time to the music with her long jewelled, fingers,—all is remembered. Within the lodge the fire burned brightly, and seated around it were many men, the old and wise of the Raven band. On the lodge lining, hanging behind the seats, were the paintings of many great deeds. Food was placed before the guests—pemican and berries and dried back fat—and after they had eaten the pipe was lighted and passed around the circle. Then the Raven chief spoke and said, "Now, Wolf, I am going to give our new friend a present. What do you think of that?" "Yes" replies he, slowly as though regretful that he cannot deny his own identity..