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"Git your night-gown and your tooth-bresh quick, Molly, if you want to pack 'em in my trunk!" he exclaimed with his eyes dancing and a curl standing straight up on the top of his head, as it has a habit of doing when he is most excited. "You can't take nothing but them 'cause I'm going to put in a rope to tie the whale with when I ketch him, and it'll take up all the rest of the room. Git 'em quick!" Patricia drummed on the railing. "She was well enough," she admitted grudgingly. "But after I had modeled those figures and tried to get something appropriate for each one—and it was hard to get the candy into the inside of them, too, without spoiling it—they go and accept them as though they were a cup of afternoon tea. I thought they'd show more spirit. Don't talk to me about artists being gay and Bohemian after this." Patricia interrupted her hotly. "I won't waste another hour on them!" she declared vehemently. "I've slaved and slaved all my spare time, I missed the last of Miss Jinny's visit, and I didn't have time to hear a word of Judy's tales about Greycroft and the village, and I haven't taken a moment to myself this whole week! I've done with it now for good and all. I was an idiot to think I could do anything, anyway.".

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"Ask de great massa." "I am sorry Mrs. Dallas said that," he remarked, when Maurice paused in his narrative. "One gets used to anything in time," said Patricia airily. "You remember how Sally Lukes missed the doing of those five weekly washes after Johnny got prosperous enough to keep her in comfort. I reckon we'll be just like that after a while—can't eat without smudges on the table and paint-splotches on the dining-room walls." "Bah! you black parrot!" muttered Maurice scornfully and turned upon his heel. As he vanished down the walk Dido clapped her hands together with great satisfaction and began to sing in low tones. Her song was barbaric in words and strange beyond all telling in the music. It rose and fell, and moaned and drawled, in a curiously painful manner. In the drawing-room Mrs. Dallas had risen to her feet at the first deep contralto note, and now stood rocking herself to and fro with an expression of alarm on her face. Isabella was terrified in her turn by Dido's song and her mother's strange conduct, though by this time she should have been used to these eccentricities..