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“Must of warlked in when I left a jint outside fer a minute. She shore is a dark complected bird now.” As Moses spoke he stretched out his arm for the sooty Tillie, but with an indignant cackle the hen tore through the dining-room into the kitchen with Moses and Betty in hot pursuit. In the midst of these reflections, the trombone player of the orchestra came to him. His boyish knowledge and imagination, equal to many pictures of danger for the girl, did not extend to her captors. He never stopped to consider, nor would he have understood if he had, the plight of the criminals. He knew that two had been captured, one of whom before that had carried off May Nell; but his small newspaper reading of “gangs” of counterfeiters had given him visions of dozens of desperate criminals, terrorizing communities, and equal to any bold crime. Now in his mind’s eye he could see men skulking in the brush, listening in rooms below, only waiting to pounce on May Nell the moment she smashed the window. Oh, yes, he must hurry—hurry!.
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Howard led Nell through the intricacies of a square dance. All went well with the preparation; and on a glorious spring night in the full moon, the town and countryside jammed the Opera House “to its eyebrows,” Billy said, looking through the peephole in the curtain to the high window seats crowded with boys. “Never mind Mosey, Next Monday I’m goin’ to ask Mar to let me stay home and turn the nasty mouldy machine.” CHAPTER V.—A DANCE IN THE CEDAR HILLS..
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